Bureaucracy and Musicians: Oil and Vinegar
I committed
the cardinal sin of submitting paperwork for 2012 in (gasp) 2013.
The papers
in question were copies of contracts, part of the paper
trail for Musicians' pension contributions -- yes, I am now old enough to worry
about pension. Because I was so egregiously and embarrassingly late in
passing along our money to someone else, possibly someone named Guido, our
vaunted Vancouver Musicians' Association told me I had to include a letter of
explanation for the delay. I duly sent a letter of explanation to our
beloved Association.


It's my
belief that musicians have traditionally been able to lean on a
short-list of excuses for anything along the lines of absent or tardy
paperwork, as they have specifically gotten into music to avoid things like
honest work, lifting heavy shit without a beer payoff, and filling out
stinking papers, like an underpaid, walleyed school secretary. I
give you a tiny excerpt of my list, so you can compare notes:
Excuses:
2) I was
hung over. (This can be a totally valid multipurpose excuse until your
mid-30s. Longer, if you hold off marriage.)
3) You
never told me. Are you sure you texted me? (Furtively search for
cellphone in mock concern).
4) I don't have a watch -- I use my iPhone clock...
5) Uhh, my iPhone is totally screwed, man...
6) I saw
something shiny on the lawn
Admittedly,
this list of pre-fab excuses doesn't cut the mustard in certain
circumstances. For example, if you have somehow propagated the fiction
that you are a functional adult, worthy of holding an opinion, and thought
generally capable to babysit (where diaper changes are NOT required), you have
to up the ante. We are wise to take a
melodramatic page out of the operating manual of our artistic cousins, ACTORS. They can,
through mastery of social skills and a generous application of ‘charisma’ (a
form of charm used in lieu of talent), make the simplest task seem crushingly
complex, a minefield, really; it will possess an unforeseen, wracking,
emotional aspect and will be fraught with pathos in its telling. The story
will go on sooooooo long, too, that eventually you let them off the hook due to
sheer exhaustion and admiration at their nerve, tenacity, and full-on
balls. With this in mind I composed a note to the Vancouver Musicians'
Association. The letter read:
Dear Pension Gods,
I write this letter to explain why I have let two Spirit
of the West contracts from 2012 languish rather than promptly sending them in
along with pension contributions.
Early in 2013, shortly after our New Year’s Eve gig in London , Ontario
I witnessed a large, hovering disc above the road to my house. It flashed green, blue & red and shone a
spotlight down upon the ground in front of me.
I stopped the old Volvo, dumbfounded, and stared upwards at this strange
sight visited upon me.
The next thing I knew I was being lifted bodily into the
craft (a UFO, clearly). I was medically
examined, probed invasively and taken on a journey to the star Zeta
Reticuli. Although the trip seemed to
take a couple of hours it seems that over 3 months had passed on Earth when I
was deposited back into my Volvo, now in the Parksville impound lot with a
sticker on its windshield.
Additional to this is that my teenaged son moved out on
his own on the 1st of the month, ostensibly saving us effort and
money. Unfortunately, it has cost us so
much to set up his housekeeping that I couldn’t afford the stamp to send the
cheque.
I hope you forgive these unforeseen but totally
understandable extenuating circumstances.
Live Long & Prosper,
Vince R. Ditrich (proud member of Local 145 and looking
to start up a satellite office on another planet).
My wife did not report me missing. Weird....
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